The simple, repetitive chord pattern never feels either simple or repetitive. The varieties of rhythm introduced in the guitar, the beautifully modulated varieties of intensity in the vocal all keep the listener engaged and moved, even if - as in my case - you don’t know the language. Thanks for this introduction to an artist I will be seeking out for more exposure.
I couldn’t help but recall Neil Young’s Helpless, which has one less chord in its progression but also keeps you engaged with other aspects of variety and emotion.
The simple, repetitive chord pattern never feels either simple or repetitive. The varieties of rhythm introduced in the guitar, the beautifully modulated varieties of intensity in the vocal all keep the listener engaged and moved, even if - as in my case - you don’t know the language. Thanks for this introduction to an artist I will be seeking out for more exposure.
I couldn’t help but recall Neil Young’s Helpless, which has one less chord in its progression but also keeps you engaged with other aspects of variety and emotion.
On point, David. Thanks for sharing!
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